Wigging out: why drag is bigger and wilder than ever at Edinburgh

It used to be that just wearing a dress and lip-syncing was enough. But now drag is mainstream, the bar for this most creative and transgressive art form has been raisedIt’s Friday night at the Edinburgh fringe. Artists are running all over town, weavi…

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Jessica Fostekew review – punchy polemic about gender stereotyping

Monkey Barrel Comedy, Edinburgh The standup rails against old-fashioned ideals of femininity, the diet industry and society’s policing of women’s bodies. It’s strong stuff.Who decides what’s womanly? Culture, you might say, or tradition, or the patriar…

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Will Adamsdale review – a masterclass in self-deprecation

The singular standup’s new show FaceTime is a delightful, devastating and stealthy account of his domestic woesThe 2004 winner of the Perrier award (as it was known then) pops up every few years with a show that bears no resemblance to the last. Withou…

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Phil Wang review – record-breaking riffs on sex, race and Popeye

Pleasance Courtyard, EdinburghWang is back with a new no-messing, harder-nosed attitude, along with excellent jokes including some choice one-linersPhil Wang made a little piece of fringe history this year before the festival even began, when he sold o…

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Ciarán Dowd: ‘I’ve got a black leather bondage dog costume’ –

The comedian, actor and writer on the things that make him laugh the mostWhen I saw Hans Teeuwen in 2009 I had never seen anything like him. He spent five minutes telling an invisible dog to sit and fed a Mars Bar to a sock. Continue reading…

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Stage invaders: why indie musicians are rocking up at the Edinburgh fringe

Members of the Hoosiers, Maxïmo Park, Belle & Sebastian and Shed Seven talk about mental health, the pitfalls of the music biz and why they are swapping gigs for theatre audiencesFelix Scoot and Lee Delamere, from one-time chart-toppers Felix &…

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Sara Barron: Enemies Closer review – brassy, sassy standup

Pleasance Courtyard, EdinburghParading her sex life, friendships and militant subjectivity, the triumphantly profane comedian takes a step into the big leagueThe men have gone sensitive, it’s been said of this year’s fringe comedy – while female standu…

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Tom Rosenthal: Manhood review – dick jokes, demons and diatribes

Pleasance Courtyard, EdinburghThe standup, who was circumcised as an infant, gets het up in a show where the polemic overshadows the comedyDick jokes are as old as comedy, but few – Richard Herring with docu-comedy Talking Cock excepted – dedicate whol…

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The beat goes on: drummers crash the Edinburgh fringe

A trio of performances – Daniel Bellus in Beat, Alexander Fox in Snare and Mick Berry’s Keith Moon: The Real Me – put drums centre stage It must be something to do with being at the back all the time, but give a drummer their moment in the spotlight an…

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‘Coolest night in town’: the club where Phoebe Waller-Bridge created Fleabag

Once based in a rundown boozer, DryWrite nights encouraged risk and giddy game-playing – their spirit is felt in Killing Eve and across British theatre todayWhen Phoebe Waller-Bridge performed her script Fleabag at the Edinburgh fringe in 2013, it land…

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