Sara Pascoe: how I overcame my Jane Austen prejudice

Austen’s women have the same rights as children; her ‘romantic’ match-making smacks of desperation. So how did the standup see the funny side of Pride and Prejudice for her new stage adaptation?

“Why does no one talk about how funny Jane Austen is?” I ask my friend Katie. We’d done English literature for three years at Sussex University – how was I only discovering these perceptive comedies a decade later?

“It’s all anyone ever says!” Katie is annoyed with me. “I tried to tell you how great she was but you insisted you’d never read any 19th-century novels.” She’s right. I got through my entire degree avoiding anything from the 19th century. I didn’t care if the steam train ended up in the workhouse, or the bonnet ran out of gruel. Regency literature was too coal-y for me, too long-winded and describey. I preferred modern books where you had to read other books explaining what the first book meant to know what happened.

How could there be any romance, any love, when females were wedding-night virgins, dependants with little respect?

Related: ‘I read my boyfriend Pride and Prejudice as a bedtime story’: meet the Jane Austen superfans

Continue reading…

Continue Reading

Lydia Towsey: how I discovered the Venus in me

From Botticelli to glossy magazines, women have been idealised and misrepresented for centuries. Performance poet Lydia Towsey reveals how her own near-fatal eating disorder set her on a path to explore new ways of looking at female bodies

Botticelli’s painting of the Birth of Venus was the first female nude painted and exhibited life size, and in many ways the medieval blueprint for every covergirl to come. It was about the birth of beauty, sexuality and glamour. But what would happen if, instead of washing up on an ancient Cypriot beach on her magnificent scallop shell, the Roman goddess were to arrive naked and vulnerable on a UK beach in the 21st century? This question is the starting point for my show, The Venus Papers.

It’s about lots of things – a theatrical performance combining poetry, humour, art, movement and music, in which I introduce Venus to my world. She encounters customs officers, tabloid newspapers, the male gaze, bars, Primark, life modelling, the perils of breastfeeding in public and something I’ve previously struggled to talk about in my work – the eating disorder I had for approximately seven years.

Continue reading…

Continue Reading

Edinburgh’s double comedy winners mix humour with darker takes on life

Shows about relationship breakdown and homophobia pick up a prize – or two – for John Robins and Hannah Gadsby

The longest ever shortlist. The first ever joint winners. And clearly, the most indecisive judging panel ever.

It was indeed, as the publicity would have it, an “unprecedented” year for the Edinburgh comedy awards. But, if there’s a worry that the currency of these awards is being devalued, there can be no real complaints about this year’s champs: probably the two most audacious stand-up shows on the fringe, and certainly among the funniest.

Related: Are they having a laugh? Edinburgh comedy judges give prize twice

Continue reading…

Continue Reading

Spider-Man’s dad, Ruby Wax and Labour v Tory standup: Edinburgh festival 2017 – in pictures

The Edinburgh festival 2017 is still going strong with unlikely film stars, black-history monologues and toddler comedy sidekicks – here’s a selection of the latest shows photographed by Murdo MacLeod

Continue reading…

Continue Reading

Spider-Man’s dad, Ruby Wax and Labour v Tory standup: Edinburgh festival 2017 – in pictures

The Edinburgh festival 2017 is still going strong with unlikely film stars, black-history monologues and toddler comedy sidekicks – here’s a selection of the latest shows photographed by Murdo MacLeod

Continue reading…

Continue Reading

Jon Pointing review – a cringeworthy new comic monster is unleashed

Pleasance Courtyard, Edinburgh
Pointing’s egocentric creep Cayden Hunter and his spoof acting masterclass is mesmerisingly ghastly and deliciously daft

Towards the end of last summer’s Edinburgh festival, tongues started wagging about Jon Pointing’s below-the-radar work-in-progress show in a graveyard shift on the free fringe. His spoof acting masterclass is back this year, developed to full length, transferred to the Pleasance Courtyard, and justifying the hype. Pointing masquerades as theatre guru Cayden Hunter – touchy-feely but thin-skinned, colossal of ego and microscopic in self-knowledge. He is the David Brent of the trust exercise and the improv game. Like Brent, Hunter at his best is so convincing you’d think his creator must be intimately familiar with his own inner prat. Or that, forced into contact with prats, he’s studied them (and his revenge on them) in minute detail.

In love with himself and patronising his audience, Hunter channels more bullshit than the sluice gates at a dairy farm. “There’s no maps for the kind of roads we’re travelling down,” he purrs. He is, in short, a creep – and yet (to Pointing’s credit) the text isn’t that improbable. Tweak the caricature down a notch, and this acting class – with its talk of risk and danger, its fetishising of “the truth”, poorly defined – is but an ace away from credible reality.

Related: Edinburgh festival 2017: the shows we recommend

Continue reading…

Continue Reading

An Indiana Jones spoof and the destruction of Palmyra – the six best shows at Edinburgh fringe 2017

Six of the best from Edinburgh including Mat Ewins’ barrage of one-liners, a German teacher placement at a secondary school and a transgender journey

Pleasance Courtyard
Building on the success of her 2016 show about sexism in comedy, the no-nonsense Welshwoman delivers a lean and effective set about a year spent volunteering with vulnerable kids. It doesn’t sound funny, but it really is, thanks to her brusque wit and a high quotient of thoughtful, self-lacerating jokes. BL

Continue reading…

Continue Reading

Alex Salmond … Unleashed review – Edinburgh show is all bark and no bite

Assembly Rooms, Edinburgh
The former first minister of Scotland and ex-MP promises a political kiss and tell, but while a convivial host, fails to deliver the goods

When the former first minister of Scotland and now ex-MP Alex Salmond announced this last-minute fringe run, it sold out faster than you can say “independence in Europe”. Perhaps punters were seduced by the promise of (as the title runs) “Alex Salmond … Unleashed”. He’s been promising to kiss and tell, hinting on the Today programme at a story involving – of all things – sado-masochism and Kirsty Wark. Sure enough, the show begins (after a rousing reception from the crowd) with Salmond theatrically removing his tie. He’s buttoned up no more, and we buckle up for juicy gossip from behind the scenes of Scottish and UK politics.

But that’s not what we get. Instead, Unleashed is an hour of music, clubbable chat with a special guest, and some reflections on Scotland’s historical ties to Europe. (Each show will have a different theme.) Today’s visitor, greeted with surprise by the crowd, is the “Brexit bulldog”, David Davis – to whom we have to be nice, Salmond instructs us, because they’re pals. If we hadn’t been told, we’d guess from the chummy conversation that follows. Two old guys, two upholstered leather armchairs: think gentleman’s club and you wouldn’t be wide of the mark.

Continue reading…

Continue Reading

Trumped out: why the fringe can’t keep up with 2017

From Trumpageddon to Brexit: The Musical, many would-be topical crowdpleasers at this year’s fringe can’t match the manic pace of real-life news events

This would be a bad time to try to hire a blond fright wig from a theatrical costumier. The ones that aren’t being worn, combed forward, by actors playing satirical versions of Donald Trump are, hand-brushed upwards, on the heads of performers sending up Boris Johnson.

With thousands of shows on offer at the Edinburgh fringe, audiences are inevitably drawn – before the reviews and prizes come in – to productions with easily graspable themes that can be spread to the like-minded through social media.

Related: Edinburgh festival 2017: the shows we recommend

Related: Edinburgh festival 2017: 10 shows to see

Continue reading…

Continue Reading

Alexei Sayle, Dolly Parton and payback time for critics: Edinburgh festival 2017 shows – in pictures

The Edinburgh festival 2017 runs the gamut from immersive political theatre to gender-questioning dance to standup comebacks – here’s a selection of shows photographed by Murdo MacLeod

Continue reading…

Continue Reading