Alex Salmond … Unleashed review – Edinburgh show is all bark and no bite

Assembly Rooms, Edinburgh
The former first minister of Scotland and ex-MP promises a political kiss and tell, but while a convivial host, fails to deliver the goods

When the former first minister of Scotland and now ex-MP Alex Salmond announced this last-minute fringe run, it sold out faster than you can say “independence in Europe”. Perhaps punters were seduced by the promise of (as the title runs) “Alex Salmond … Unleashed”. He’s been promising to kiss and tell, hinting on the Today programme at a story involving – of all things – sado-masochism and Kirsty Wark. Sure enough, the show begins (after a rousing reception from the crowd) with Salmond theatrically removing his tie. He’s buttoned up no more, and we buckle up for juicy gossip from behind the scenes of Scottish and UK politics.

But that’s not what we get. Instead, Unleashed is an hour of music, clubbable chat with a special guest, and some reflections on Scotland’s historical ties to Europe. (Each show will have a different theme.) Today’s visitor, greeted with surprise by the crowd, is the “Brexit bulldog”, David Davis – to whom we have to be nice, Salmond instructs us, because they’re pals. If we hadn’t been told, we’d guess from the chummy conversation that follows. Two old guys, two upholstered leather armchairs: think gentleman’s club and you wouldn’t be wide of the mark.

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Trumped out: why the fringe can’t keep up with 2017

From Trumpageddon to Brexit: The Musical, many would-be topical crowdpleasers at this year’s fringe can’t match the manic pace of real-life news events

This would be a bad time to try to hire a blond fright wig from a theatrical costumier. The ones that aren’t being worn, combed forward, by actors playing satirical versions of Donald Trump are, hand-brushed upwards, on the heads of performers sending up Boris Johnson.

With thousands of shows on offer at the Edinburgh fringe, audiences are inevitably drawn – before the reviews and prizes come in – to productions with easily graspable themes that can be spread to the like-minded through social media.

Related: Edinburgh festival 2017: the shows we recommend

Related: Edinburgh festival 2017: 10 shows to see

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Alexei Sayle, Dolly Parton and payback time for critics: Edinburgh festival 2017 shows – in pictures

The Edinburgh festival 2017 runs the gamut from immersive political theatre to gender-questioning dance to standup comebacks – here’s a selection of shows photographed by Murdo MacLeod

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Dave Johns review – heartwarming tale of late-in-life change from I, Daniel Blake star

Pleasance Dome, Edinburgh
Johns was ready to quit standup until Ken Loach came calling. His fringe return is full of humility and unpretentious good humour

Cinderella can’t touch this. Two years ago, Dave Johns was about to quit standup after 30 years and start selling donkey rides. Then Ken Loach came calling; according to Johns, a kestrel just appears outside your window. The rest is movie history: I, Daniel Blake – Loach’s film about benefit cuts – won 23 awards internationally, turned the tide of Britain’s political conversation, and changed Johns’ life. Our host has got an incredible rags-to-riches story to tell, and does so in this fringe return with humility, starry eyes and unpretentious good humour.

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Trans tales and rogue cabarets: Edinburgh festival 2017 – in pictures

From Sara Pascoe’s new standup to a strange evening with Martin Creed, via acrobats, Samuel Beckett and a wild girl from Borneo, here are the sights so far

All photographs by Murdo MacLeod

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Bigfoot and me: Roddy Bottum on his avant garde monster opera

He was one of the first openly gay men in metal. Now, after losing everything in a house fire, Faith No More’s Roddy Bottum is bankrolling an opera featuring crystal-meth arias and interspecies duets

In a top-floor flat overlooking Arthur’s Seat in Edinburgh, Roddy Bottum is talking me through his fringe show Sasquatch: The Opera. Bottum is the keyboard player in Faith No More, whose twisted take on hard rock propelled them to global success in the 90s, and he’s at the festival with a cast of opera singers and experimenters from New York’s avant garde performance art scene. Though it’s a few days until curtain-up, they want to give me a preview. In true fringe style they perform four scenes right here in the living room, to music played on his laptop.

Related: Edinburgh festival 2017: 10 shows to see

Did Axl talk to me about being gay? Not so much

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Edinburgh festival 2017: 10 shows to see

A puppet blockbuster, a Bigfoot opera and a Northern Soul dance marathon all feature in the lineup of the 70th Edinburgh festivalEdinburgh Playhouse Continue reading…

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‘We haven’t made a profit for five years’: risky business at Edinburgh fringe

Running a festival venue is about more than booking acts and selling tickets. From converting lecture rooms to spending £25,000 on Astroturf, we reveal the costs of putting on a show

Ten years ago, at the Edinburgh festival, Anthony Alderson became the not very proud owner of 44 Vauxhall Astras. Alderson, the Pleasance’s director, had bought 22 of the cars from a scrapyard for a show called Auto Auto, staged in the Grand, the largest of the Pleasance venues. But it turned out they were the wrong kind of Vauxhall Astra. The show turned cars into comedy percussion instruments and these all had sun-roofs. So Alderson had to buy another 22. “I think the scrap dealer thought he’d hit the goldmine,” he recalls ruefully.

Related: Theatre producers’ unbreakable rules for the Edinburgh fringe

One year, a large dance company made back the costs of their entire Edinburgh run with a single gig in South America

It’s tough to run a venue, and it’s getting tougher. People do it because they are addicted to Edinburgh in August

Related: Edinburgh festival 2017: what to see and where to go

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The 10 best things to do this week: Lovebox and Painting Pop

Frank Ocean tops the bill at the east London festival, while Abbot Hall in Cumbria celebrates Blake, Hockney, Boty and more

Dog-friendly screening
Dog lovers and fans of stop-motion animation rejoice! London’s Picturehouse Central is hosting a special dog-friendly (well-behaved canines only, please) screening of My Life As a Courgette on 9 July. Water bowls and blankets will be provided (for the dogs, obvs).
At Picturehouse Central, W1, 9 July

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