Standups on Maxine Peake’s Funny Cow: ‘It made me proud of everything I’ve been through’

Rhona Cameron, Rachel Fairburn and Shappi Khorsandi give their verdict on the film in which Peake plays an aspiring comic in a man’s world

Related: Funny Cow review – Maxine Peake blazes in the dark days of standup

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Katy Brand: ‘We don’t want to replace men – we just want equal airtime’

The actor and comedian explains how her debut play, 3Women, captures the age divide within feminism – and the defiance of the #MeToo era

I recently gave a talk at a girls’ high school. I mention this not only because I am a virtue-signalling monster but also because one of the young women asked something that brought me up short: “How should we react, as young feminists, to older women who don’t seem to support us?”

I sat there and goldfished for a moment, keenly aware that these freshly minted teenage minds sat among their esteemed “older women” teachers. But this is one of the issues I have been grappling with in my debut play, 3Women, which is about three generations of the same family, aged 18, 40, and 65. They come together in an increasingly claustrophobic hotel suite the night before a wedding, ostensibly to enjoy some family bonding time. As more wine is ordered and drunk, the gloves come off, and there are old scores to settle.

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Katy Brand: ‘We don’t want to replace men – we just want equal airtime’

The actor and comedian explains how her debut play, 3Women, captures the age divide within feminism – and the defiance of the #MeToo era

I recently gave a talk at a girls’ high school. I mention this not only because I am a virtue-signalling monster but also because one of the young women asked something that brought me up short: “How should we react, as young feminists, to older women who don’t seem to support us?”

I sat there and goldfished for a moment, keenly aware that these freshly minted teenage minds sat among their esteemed “older women” teachers. But this is one of the issues I have been grappling with in my debut play, 3Women, which is about three generations of the same family, aged 18, 40, and 65. They come together in an increasingly claustrophobic hotel suite the night before a wedding, ostensibly to enjoy some family bonding time. As more wine is ordered and drunk, the gloves come off, and there are old scores to settle.

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Colin Hoult: ‘The funniest heckle? You’re not funny because I’m not gay’

The actor, writer and standup on the things that make him laugh the mostGreg Davies. His face, his stories, his sweet bod. Continue reading…

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How Jeff Dunham’s offensive puppets became the voice of Trump’s America

From José the Mexican immigrant to Achmed the dead terrorist, his foul-mouthed puppets have made him one of the richest comedians on the planet. How will the ventriloquist go down in Britain?

Jeff Dunham is on a high. He has just played to a sell-out crowd in the Texas city of San Antonio. Any other ventriloquist would be happy with an audience of a few hundred, maybe in their wildest dreams a thousand. But Dunham and his cast of dummies pulled in a whopping 19,000 fans – and every one of them seemed to have had a riotously fun evening.

“Other comedians,” he says, “must be scratching their heads and thinking, ‘How the hell is this happening?’ It’s like aliens were looking down and saying, ‘Here’s how we’re going to screw up Earth. We’ll make a reality TV guy the president – who 60% of people hate – and then, here’s something weirder, we’ll make this ventriloquist guy so successful he sells out stadiums.’”

The crowd roar with laughter when Achmed curses: ‘God damn it! I mean – Allah damn it!’

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How Jeff Dunham’s offensive puppets became the voice of Trump’s America

From José the Mexican immigrant to Achmed the dead terrorist, his foul-mouthed puppets have made him one of the richest comedians on the planet. How will the ventriloquist go down in Britain?

Jeff Dunham is on a high. He has just played to a sell-out crowd in the Texas city of San Antonio. Any other ventriloquist would be happy with an audience of a few hundred, maybe in their wildest dreams a thousand. But Dunham and his cast of dummies pulled in a whopping 19,000 fans – and every one of them seemed to have had a riotously fun evening.

“Other comedians,” he says, “must be scratching their heads and thinking, ‘How the hell is this happening?’ It’s like aliens were looking down and saying, ‘Here’s how we’re going to screw up Earth. We’ll make a reality TV guy the president – who 60% of people hate – and then, here’s something weirder, we’ll make this ventriloquist guy so successful he sells out stadiums.’”

The crowd roar with laughter when Achmed curses: ‘God damn it! I mean – Allah damn it!’

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Tom Davis: ‘Eddie Murphy’s Raw sits in my bedside drawer like a bible’

The writer, standup and star of Action Team on the things that make him laugh the most

Eddie Murphy Raw. A kid from school gave me a pirate copy when I was 12. I waited for my parents to go to bed and completely lost my shit. I still have it – it sits in a drawer next to my bed, like a Bible.

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Empire state of mind: the comedian untangling India’s identity crisis

With his persona of a Raj-revering Indian, Anuvab Pal dons a Beefeater jacket and judge’s wig to trace colonial legacy in the standup show The Empire

Reckoning with colonialism is on the minds of third-generation diaspora kids. Projects such as the Crimes of Britain website are monitoring Britain’s imperial legacy for today’s youth and interrogating Britain’s claim to greatness. Now, the Indian standup Anuvab Pal anatomises the same subject matter in his touring comedy show, The Empire, which he performs at Soho theatre in London this week.

A Bengali native, Pal offers an Indian perspective on the armies who turned up uninvited on India’s shores. But he also uses his routines to inform audiences of a subset of Indians who yearn for the return of the Raj.

Related: India’s new wave of comedians laugh in the face of taboos

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Dara O Briain review – Mock the Week star delivers big-hitting comedy

Cliffs Pavilion, Southend
O Briain mines his public status, midlife hypochondria and the march of technology for his new show Voice of Reason

Plymouth, Dubai, Oslo – the locations of three consecutive gigs on his last tour, Dara O Briain tells us. So how do you write a comedy show that appeals to all those audiences and retains its currency across two years of gigging? Such are the standup’s dilemmas in this industrial era of comedy. But the Irishman makes light of them with Voice of Reason, another globetrotting set that may stint on topicality and local specificity but not on meticulously well worked laughs about the unglamorous middle age of a husband, dad and celeb.

So are the demands of world touring depriving us of a harder-edged O Briain? Probably not. Even when he had the opportunity, the Mock the Week man was never one to cut deep with his comedy. But it can be fun splashing in the shallows, seldom more so than this evening, as O Briain mines his public status, midlife hypochondria and the march of technology for big-hitting entertainment.

Related: Michelle Wolf: the unstoppable rise of America’s provocative political comic

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Amy Schumer: ‘I’m not invincible. I need to slow down’

Outrageously rude and shockingly funny, Amy Schumer has always made her audiences gasp. She talks to Sophie Heawood about falling in love, one-night stands and going nuts on stage

When I meet Amy Schumer, she has been married for exactly one month and is working on a joke about her husband’s penis. Something along the lines of, my husband is uncircumcised – for now. She had jotted it down on the Notes app on her iPhone, where she keeps a lot of ideas, but it duplicated the note five times “so now it looks like I really have plans to mutilate him,” she says.

She then admits that she actually first used that line about another man she used to date, “but you have to update it so it’s about the person you’re with now. And really, my husband is good, he can keep everything he has. At this point in my life, I’m cool with foreskin or not – God bless everyone and their penii,” she says, breezily, as if she might have exhausted herself by creating a persona who is supposed to care so much.

I think we should see more – I’m not letting them retouch me in the film

What the kids are just realising is that the adults are not actually in control

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