The Kiwi standup thoroughly deserves her success with an uproarious, emotionally intimate and feminist show
With the triumph of Rose Matafeo in this year’s Edinburgh Comedy awards, a sub-par shortlist has been redeemed. Matafeo’s show Horndog is another cracking show from a born comedian, a high-energy, high-anxiety New Zealander whose party-comedy mixes emotional intimacy and uproarious good fun with a thread of unshowy feminism. For me, Horndog wasn’t quite as exhilarating at its 2017 predecessor, Sassy Best Friend. But I couldn’t be happier to see Matafeo’s victory. She becomes the fifth solo female standup and the first solo person of colour to win the main award. Her win will hopefully open out her excellent and accessible work to a wider audience.
It might even boost her self-confidence, too. Ironically, given her prodigious talent – honed since she started standup as a 15-year-old – I’ve never interviewed a comedian so reluctant to speak well of herself. There’s plenty of that self-mortification on display in Horndog, which chronicles Matafeo’s barely functioning love- and sex-life. From teenage crushes on Franz Ferdinand’s Alex Kapranos via her struggles to focus on masturbation to emotional near-collapse in the closing stages, the show is a hoot. It also features a routine about sleazy male behaviour in comedy, giving it membership of the large club of 2018 standup shows with a #MeToo dimension.
Continue reading…
Continue Reading