The author of a hit show about desire explains why she’s staying anonymous – and why her play is only performed by male comedians
You’ve written a hit play, it’s been programmed for a run at the Royal Court – and you can’t take a shred of credit for it? You’d forgive the anonymous writer of Manwatching for feeling some frustration – but there’s little in evidence. “I keep telling the friends who know it’s me [and who are sworn to secrecy] that everyone should do a piece anonymously once in their lives. It’s tremendously liberating.”
Related: Manwatching at Edinburgh festival review – a frank insight into female desire
Of course the part of me that would like to boast is frustrated
Related: Unknown pleasures: do we enjoy art more if it’s anonymous?
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