‘I’m still in the game’: Sandra Bernhard on stage fright, The King of Comedy and not running for president

The comic, singer and actor, performing in the UK for the first time in seven years, answered your questions

2.16pm GMT

Thanks for all the questions – I’ll be at Ronnie Scott’s at the end of the week!

2.14pm GMT

unprinted asks:

What does the song You Make Me Feel Mighty Real mean to you? Why chose to cover it?

Mighty Real was sort of an anthem for the pre-AIDS gay experience – a time of unbridled celebration and sexual freedom.

2.11pm GMT

toooom asks:

Another admirer of King of Comedy here. What are you most proud of?

What I’m most proud of is that I’m still in the game. I still love performing and being creative. I love what I do!

2.10pm GMT

sachat asks:

Have you ever had stage fright? Which of your projects has been the most nerve-racking?

Of course! Any time you walk on stage you’re nervous, that’s part of what motivates you to do a great show. But any time that I do television or films that’s the most nerve-racking because other people are dependent on your professionalism.

2.09pm GMT

25aubrey asks:

Who in your eyes, are the real king and queen of comedy, past or present?

When I was growing up, I adored Totie Fields and, of course, my dear friend Paul Mooney.

2.07pm GMT

Genevieve Scoville asks:

I’m a keen listener to your radio show on SiriusXM. Is there someone who sticks out as your favourite interviewee?

Most recently, Mena Suvari was a lovely surprise but on a regular basis, comedian Judy Gold is a fabulous interview. She’s on my show frequently. She’s a terrific conversationalist.

2.06pm GMT

Myam0t0 asks:

Beans on a fry-up?

I adore beans. On anything and everything!

2.02pm GMT

SeanWylas asks:

Today’s political and cultural climate in the US and the UK is shifting in a way that was not expected by many. As a result, it seems that a comment that once would have been seen as thought-provoking (even if you disagreed with it) can now send social media lynch mobs at people and potentially ruin careers (if not lives). This is seen on the left and on the right. As someone who speaks her opinion, how do you feel about this culture? How do you respond to such things?

I have definitely started to edit a lot of things that I would not have thought twice about saying 10 or 15 years ago. It simply isn’t worth it to be exposed to the unsophisticated thinking of so many people. I’ve learned how to recalibrate my approach to social commentary.

1.59pm GMT

Murdomania asks:

You recently said: “I try not to get caught up and swallowed up by the changing tides because they’re gonna keep changing” … however, now that Oprah indicated a lack of desire to be nominated to run to be the next President of the United States, would you be enticed to throw your hat in the ring? Sandra Bernhard POTUS46 has a nice ring to it.

I wish I had it in me but I’m afraid I’m not your lady for this one!

1.56pm GMT

Arthur666 asks:

I’ve always enjoyed your multilayered approach to comedy, and it always seems to have a message. Do you think this is lacking in the current comedy world?

I think the issue is there’s too much product out there. And there’s only a certain amount of things people can talk about. So sometimes it becomes redundant. It’s getting harder to hone your craft because of YouTube and the internet. You really need to get out to the clubs to hone your craft. A lot of people these days don’t have the patience.

1.49pm GMT

Buckaroo asks:

There’s an amazing film of yours from the mid 90s – an Australian film called Dallas Doll (featuring the screen debut of Rose McGowan), a sort of reverse Crocodile Dundee. It had a huge cult following, but is unavailable to buy. There’s a host of classic lines in the film, two of which are particular favourites in our family: “I’d like to see THAT angry!” and “Don’t forget the garlic bread, gorgeous.” For old times’ sake, please would you say those lines again now?

Actually it’s Rose Byrne. Working on this film was one of the strangest experiences of my life. It was like being trapped in a ‘no exit’ situation.

1.44pm GMT

DarkAnaemicI asks:

What’s your favourite memory of filming Hudson Hawk?

All my time spent with Richard E Grant! In particular a trip we took together to Vienna. We always had a great time.

1.43pm GMT

Buckaroo asks:

You performed a brilliant version of the Rolling Stone’s Angie on a Channel 4 show years ago called Viva Cabaret. Is it available now?

The answer is no! It’s one of my favourite songs of all time. It reminds me of my first trip to London in 1973 when the song was released. I was 17 and travelling around the world and having an incredible time.

1.42pm GMT

JimdiGriz6 asks:

[I’m] yet another massive fan of your work in King of Comedy. Did your craziness in that film come from real life, or was it a stronger version of [it]? … I’ve known a few women a little like you at times in that film!

At that time i was much closer to the character in the sense that i was just starting out in my career. I was very young, had a lot of extra energy, emotion to spare. Masha was more in tune with who I was then rather than now for sure…

1.36pm GMT

HdAlex asks:

What things are most important to you in your job?

Promptness, professionalism and no obscene language.

1.34pm GMT

OzMogwai asks:

Are you as funny in real life as you are on film, tv and stage? PS, you fucking own Raging Bull.

It depends on the setting! Of course I can be much funnier offstage rather than when I’m performing but those are private moments with friends who get the absurdity I seem to capture as I go through life!

1.25pm GMT

aemenzies17 asks:

Any advice, ideas or recommendations about how to survive Trumpageddon? I live in the US, and each day is more painful than the last. Please help!! PS, thank you for all the years of comedy therapy!

My best advice is to take big breaks from listening to the talking heads and endless updates on his latest faux pas and do something creative and rewarding so you can continue to have some normalcy in your life. As in all stressful times, this will pass!

1.25pm GMT

Arthur666 asks:

I see you musically as a rock’n’roll vixen. What can we expect from your set at the jazz church that is Ronnie Scott’s?

It’ll be a blend of personal stories, fabulous misc of course with my Sandyland Squad band on hand and a journey in and out of day-to-day quotidian life as I see it!

1.24pm GMT

Hello – It’s great to be back in London where, although the language is generally the same, the culture is much different. And that’s always inspiring!

3.00pm GMT

Sandra Bernhard webchat – post your questions now

To call Sandra Bernhard a triple threat would be selling her short. Since she started out in LA’s comedy scene and on The Richard Pryor Show, she’s been a provocative force in standup, and her cabaret-style shows prove she can deliver a song as well as a punchline.

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Spinal Tap’s Derek Smalls to Release Solo LP ‘Smalls Change’ in April

Last year, Harry Shearer revealed in an interview that he was working on a Derek Smalls solo album, and now the album – titled Smalls Change (Meditations Upon Ageing) – has a release date. In a music video for the title track released this week, Smalls revealed that the album was “made possible by a […]

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Denim: World Tour review – cheeky, transgressive drag act think global

Soho theatre, London
Pop legends in their own minds, this swaggering five-piece retool Whitney and Beyoncé songs into sharp-clawed attacks on Trump and Islam

The conceit of drag girlband Denim’s show World Tour is that they’re performing it on stage at Wembley. Its achievement is to convince you that, were they to do so, they wouldn’t look out of place. They may not be performing to the 12,000 people they envisage in their heads, but they make Soho Theatre sound like that way, with this cheeky, characterful and vocally accomplished hour-long gig.

At the beginning, the five-piece seem too big for Soho’s main house. But then, that’s the joke: their swagger and stadium-pop touches are setting up a punchline to come. And you soon realise that only frontwoman Glamrou La Denim (Amrou Al-Kadhi) is outre in the conventional drag manner, and even her camp theatrics come with political edge. Her opening gag, singing the words “Alan Ayckbourn” in the style of a muezzin, are a mere palate cleanser for the solo routine mid-show, a sharp-clawed attack on Islam’s attitude to queer identity. It’s striking how transgressive this feels, as Glamrou retools Whitney Houston’s So Emotional into an Allah-baiting cri de coeur.

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The Trailer For Atlanta FX Season 2 Is Now Here!!

Ladies and gentleman, it’s officially ‘robbin season’. We’ve waited a whole year for Atlanta’s season 2 to premiere and now it is just months away. Over the weekend, Donald and crew released the first-look trailer for the upcoming season. Knowing Donald’s work, there are probably small hints of what we can expect this time around […]

The post The Trailer For Atlanta FX Season 2 Is Now Here!! appeared first on ComedyHype.Com | Social Comedy Network.

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The Trailer For Atlanta FX Season 2 Is Now Here!!

Ladies and gentleman, it’s officially ‘robbin season’. We’ve waited a whole year for Atlanta’s season 2 to premiere and now it is just months away. Over the weekend, Donald and crew released the first-look trailer for the upcoming season. Knowing Donald’s work, there are probably small hints of what we can expect this time around […]

The post The Trailer For Atlanta FX Season 2 Is Now Here!! appeared first on ComedyHype.Com | Social Comedy Network.

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‘It sounds like Michael Bubbly!’ Big Shaq rates his rivals for Christmas No 1

The coat-obsessed Man’s Not Hot rapper has made the viral pop hit of the year – and could now be the Christmas No 1. So does he think he can beat Ed Sheeran, Mariah Carey and Gregory Porter?

Amid the usual sleigh bells, string sections and festive lyrics in this year’s Christmas No 1 race comes a man in a big coat, adamant that he is not overheating. Big Shaq’s Man’s Not Hot has become a snowballing breakthrough hit during the last few months: a parody of hardnut London rappers who use ridiculous slang, impersonate gunshots, and never, ever take off their coats. The knowingly witless aggression of its lyrics – “take man’s Twix by force” – makes them endlessly quotable, earning the track more than 100m views on YouTube and 74m streams on Spotify. It’s even been repeated in parliament by Peterborough MP Fiona Onasanya.

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Thirty Christmases review – a merry little comedy about festive stress

New Diorama, London
A reunited brother and sister try to repair their relationship at Christmas time in this amiable show with songs

Christmas is a time to be with family. But what if your family is fractured? That’s the question at the heart of this amiable show, written by and starring Jonny Donahoe, with songs from his duo Jonny & the Baptists. The tunes include that festive classic Don’t Be a Prick at Christmas.

Donahoe and comedian Rachel Parris play siblings, Jonny and Rachel, who were raised in a car by their socialist Jewish agnostic father, a man who lived by different rules. Christmas was spent in other people’s homes, often uninvited. There was the year they sat outside the house of their mother, eating corned beef sandwiches, watching her celebrate with her new family through the window. And there was the year they turned up unannounced on the doorstep of some Norwegians briefly met at an airport.

Related: Comedians on how to banish festive fear and have a better Christmas

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Reggie Watts teams up with producer John Tejada to form electronic group, Wajatta

Reggie Watts is going back to his musical roots. The comedian/late night bandleader has teamed up with producer John Tejada… MORE

Reggie Watts teams up with producer John Tejada to form electronic group, Wajatta appeared first on The Laugh Button.

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Are you gruesome tonight? The comedy hit splicing Evil Dead 2 and Elvis songs

In Sam Raimi’s horror classic, a man is tormented by demons and his own severed hand. All the story needed was a few tunes by the king of rock’n’roll, says Rob Kemp

By day, he was a mild-mannered examinations officer at a school near Wolverhampton. By night, he was a chainsaw-wielding maniac with a soft spot for Elvis numbers. No, that’s not a pitch for a B-movie, but the life of standup comic Rob Kemp. The 39-year-old will spend much of the next month commuting between the West Midlands and Soho theatre in London, shedding the briefcase and tie en route to re-enter the underworld of The Elvis Dead, his rock’n’roll-meets-horror one-man comedy show that became the cult hit of this summer’s Edinburgh fringe.

Hitherto, Kemp had been a specialist in “whimsical” (so he’s told) standup and was “bumping along largely unnoticed”. His only previous show, little seen, was a Dave Gorman-esque comedy lecture about hubris. The Elvis Dead (it’s a retelling of Evil Dead 2 set to the music of Elvis Presley) was dreamed up in conversation with a friend, based on Kemp’s supposed resemblance to horror icon Bruce Campbell. “There was nothing cynical about it,” he says, in case you’re thinking that the Elvis/Evil Dead mashup was a ruthlessly commercial cash-in. “I just wanted to write something that I knew my mates would enjoy.”

Related: Rob Kemp: The Elvis Dead review – a gory cult classic in the making

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Lefty Scum: Josie Long and the protest jokers serenading the Labour faithful

Can funny songs change the world? Jonny & the Baptists and Grace Petrie join Josie Long for a spirited night of comedy that imagines nationalising the queen’s swans and banning Daily Mail readers from seeing their grandchildren

Prospects have changed dramatically for UK lefties over the last six months. As recently as spring, leftwing politics was strictly for masochists, as the Labour party – according to received wisdom – set its course for electoral oblivion. Now, it’s the government in waiting, even after losing that June election. “I know we lost,” says protest singer Grace Petrie on stage tonight. “But it was my favourite one we’ve lost.”

Related: Josie Long review – a wistfully witty bid to find a bright side to Brexit

Related: A bleary agent of chaos: Tony Slattery returns to live impro

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