‘TikTok is like an old-school variety show’: what’s behind the surprising boom in ventriloquism?

The once musty old art of voice-throwing is back in vogue on stage and online. Its new hip practitioners – plus 1980s TV mainstay Roger De Courcey – explain why their vocal tricks and errant dummies are wowing audiences againIt is the greatest duet, pe…

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Lily Phillips: Crying review – laughing through the toxic positivity around childbirth

Monkey Barrel, EdinburghAmusing vignettes about arrogant consultants and undignified poos keep things light as Phillips documents a harrowing hospital experienceExpectations and reality don’t always align when it comes to childbirth. Lily Phillips (not…

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Urooj Ashfaq: How to Be a Baddie review – the edgiest One Direction fanfic on the fringe

Monkey Barrel, EdinburghThe 2023 best newcomer winner rebuts her ‘mild’ reputation with choice quips and boyband eroticaOn her first visit to the fringe, Urooj Ashfaq left as the surprise winner of the best newcomer award. Now she returns, to rebut a d…

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When Billy Met Alasdair review – two Scottish giants happily collide

Scottish Storytelling Centre, Edinburgh Alan Bissett embodies both the expansive Big Yin and the detached author of Lanark in a thoughtful, entertaining search for their connectionThere is a scene in Alasdair Gray’s landmark novel Lanar…

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Every Brilliant Thing review – Lenny Henry gets audience on board for list of life’s joys

@sohoplace theatre, LondonHenry is the first of a group of star performers taking Duncan Macmillan and Jonny Donahoe’s hit show about depression into the West EndSince its premiere in 2013, Duncan Macmillan’s one-person play about depression has gradua…

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Wodehouse in Wonderland review – less than spiffing portrait of the artist as a light comedian

Assembly George Square Studios, Edinburgh Robert Daws stars as the great comic author in this one-man show but is let down by lukewarm humourRobert Daws has lots of previous form on PG Wodehouse: he has played in various Jeeves and Woosters through the…

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‘Casually jaw-dropping’: at an Edinburgh fringe of tricks and treats, Ben Hart has the magic touch

The sense of wonder never wavers in Hart’s charming ‘best of’ set, a fringe favourite in a year of crowd-pleasing card work, mentalism and a hidden-squirrel routineMagic is addictive. The more you see, the higher the bar rises, but the itch to be astou…

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Toussaint Douglass: Accessible Pigeon Material review – an eccentric hour from a fringe fledgling

Pleasance Courtyard, EdinburghThe south Londoner’s avian theme frames a fine debut about family, neurodivergence, pigeons, pigeons and more pigeonsTwenty years ago, Original Pirate Material emerged from Brixton and made a star of Mike Skinner AKA the S…

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Joe Kent-Walters is Frankie Monroe: Dead!!! (Good Fun Time) review – garish grins

CabVol1 at Monkey Barrel, Edinburgh After last year’s Live!!! Kent-Walters’s hilariously monstrous alter ego has returned from hell to reclaim his club from gentrifying usurper Vegas DaveWith his painted face and demonic demeanour, Joe Kent-Walters’ al…

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Solitude Without Loneliness review – bad dates, frenzied flyering and the spirit of the fringe

Dance Base, EdinburghMalcolm Sutherland’s meta production about isolation and the search for intimacy knowingly ties its themes to the experience of the fringeThe dry title belies a show with spark. Solitude Without Loneliness can feel like several fri…

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