Garry Starr Performs Everything review – theatre saviour’s complete works of silliness

Underbelly Cowgate, Edinburgh
Damien Warren-Smith’s alter ego delivers a drama masterclass, leading us from clownish chaos to feats of comic genius

‘Theatre is dying. Garry is our only hope,” we’re told. Arriving in Edinburgh with considerable buzz from the Melbourne and Brighton festivals, Damien Warren-Smith’s show – like Jon Pointing’s last year – is comic catnip for theatre people, and a hoot for everyone else. Warren-Smith plays Garry Starr: gangly of limb, quivering with sincerity, and frequently stripped down to nothing but the ruff around his neck. He’s here to rescue forsaken theatre by demonstrating every one of its genres in 60 minutes. He manages 13, by which time the clownish chaos has reached a dizzying pitch.

The idea, he tells us, is to breathe life back into an art form that’s been hollowed out by his bete noire, and supposed former employer, the RSC. So here is Starr playing Pinter with an audience stooge, and being very particular about the famous pause. Euro-theatre is represented by a contemporary-dance Kafka. Slapstick descends into barely choreographed violence involving Starr, four punters and several floppy foam pipes.

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Garry Starr Performs Everything review – theatre saviour’s complete works of silliness

Underbelly Cowgate, Edinburgh
Damien Warren-Smith’s alter ego delivers a drama masterclass, leading us from clownish chaos to feats of comic genius

‘Theatre is dying. Garry is our only hope,” we’re told. Arriving in Edinburgh with considerable buzz from the Melbourne and Brighton festivals, Damien Warren-Smith’s show – like Jon Pointing’s last year – is comic catnip for theatre people, and a hoot for everyone else. Warren-Smith plays Garry Starr: gangly of limb, quivering with sincerity, and frequently stripped down to nothing but the ruff around his neck. He’s here to rescue forsaken theatre by demonstrating every one of its genres in 60 minutes. He manages 13, by which time the clownish chaos has reached a dizzying pitch.

The idea, he tells us, is to breathe life back into an art form that’s been hollowed out by his bete noire, and supposed former employer, the RSC. So here is Starr playing Pinter with an audience stooge, and being very particular about the famous pause. Euro-theatre is represented by a contemporary-dance Kafka. Slapstick descends into barely choreographed violence involving Starr, four punters and several floppy foam pipes.

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Maureen Lipman Is ‘Up for It’ review – big personalities, old jokes and smooth music

Assembly George Square Theatre, Edinburgh
The actor and comedian’s lucky dip of a show offers sketches, songs – and a controversial take on #MeToo

‘Old-fashioned,” Maureen Lipman calls herself at the start of Up for It, and the term certainly applies to her show, a medley of music and standup, character comedy and counter-revolutionary views on #MeToo. It is, she says, the kind of cabaret that she and co-star, jazz singer Jacqui Dankworth, would enjoy, and will likewise appeal to anyone drawn to big personalities, old jokes and music so smooth you could slide a whisky tumbler down it.

Lipman starts as she means to go on, mixing self-deprecation (“You thought your wife had booked to see Su Pollard”) with steely self-regard. “People like me, we’re shunted aside these days,” she complains, notwithstanding her casting last week in Coronation Street. There follows a monologue about 21st-century telly, in which Miriam Margolyes farts her way around the world and Lipman hosts a show called Walking with Wrinklies.

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Maureen Lipman Is ‘Up for It’ review – big personalities, old jokes and smooth music

Assembly George Square Theatre, Edinburgh
The actor and comedian’s lucky dip of a show offers sketches, songs – and a controversial take on #MeToo

‘Old-fashioned,” Maureen Lipman calls herself at the start of Up for It, and the term certainly applies to her show, a medley of music and standup, character comedy and counter-revolutionary views on #MeToo. It is, she says, the kind of cabaret that she and co-star, jazz singer Jacqui Dankworth, would enjoy, and will likewise appeal to anyone drawn to big personalities, old jokes and music so smooth you could slide a whisky tumbler down it.

Lipman starts as she means to go on, mixing self-deprecation (“You thought your wife had booked to see Su Pollard”) with steely self-regard. “People like me, we’re shunted aside these days,” she complains, notwithstanding her casting last week in Coronation Street. There follows a monologue about 21st-century telly, in which Miriam Margolyes farts her way around the world and Lipman hosts a show called Walking with Wrinklies.

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Harry and Chris review – romantic pandas and ice-cream puns in jaunty comedy hour

Just the Tonic at the Mash House, Edinburgh
So long as you can avoid making the inevitable Concords comparison, this peppy musical duo delivers some pleasantly diverting songs

Joke that you’re “the nation’s favourite comedy rap-jazz duo” and you’re bound to recall “New Zealand’s fourth most popular folk parody act” – as if it weren’t hard enough already for musical comedy duos to escape Flight of the Conchords’ shadow. But Harry Baker and Chris Read have made waves over the last year (Radio 2 appearances; guest slots on Russell Howard’s Sky show) with their brand of peppy comic song, and, provided you put Conchords comparisons to the back of your mind, their latest fringe offering makes for a pleasantly diverting hour.

There’s no edge whatsoever to what they do, and at points the show shades into blandness. It’s not clear what distinctive new qualities they bring to the musical comedy party. Their songs range frictionlessly across subjects from the romantic lives of pandas to the woes of supporting the England football team. When they do address something contentious – the spectre of terrorism in their final song, for example – they reap platitudes (“Fear only has the power we give it,” runs their wholesome refrain).

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Adam Hess: ‘I once dreamed I was a germ in Richard Gere’s bloodstream’

The standup comedian and bitcoin speculator on the things that make him laugh the most

Rob Brydon’s Making Divorce Work (as Keith Barret). I used to read it in the break room when I worked in Boots because nobody talked to me, and then I realised that people didn’t want to talk to me because they thought I was a 19-year-old divorcee.

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‘She’s got no filter’: the standup who let a six-year-old write his comedy show

Giving his partner’s daughter free rein during the creative process has resulted in Owen Roberts’ most surreal show to date – and the sort of laughs other comics at Edinburgh dream of

In a sweaty Portakabin in Edinburgh, a standup makes his entrance to Let It Go from Frozen. He is dressed as a chicken, complete with feather boa and yellow tights, and before long is clucking among the audience, dancing and laying eggs. This, explains standup Owen Roberts, is what happens when you let a six-year-old girl create your fringe comedy show.

The idea came to Roberts, who usually performs with the sketch trio Beasts, when he was trying to write his first solo material. After spending the day in front of a blank computer screen, he went to pick up his partner’s garrulous daughter, Isabella, from school. Isabella, he realised, was full of imagination and energy. Could she rescue him in this moment of desperation? After all, he helps her with her homework.

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Reginald D Hunter: ‘I’ve saved lives on many occasions’

The comedian, 49, on selflessness, why he never panics in a crisis and what he likes about the UK

I go thorough periods of eating healthily. Right now I seem to be interested in these Vietnam noodle soups. Oh man. My friend says, “Not as bad as a three, not as good as a five but definitely a pho”. I used to think that if this comedy thing didn’t work out I’d go to chef school. I used to put garlic powder on my eggs – I used to be very particular about that kind of thing.

I used to bring back a lot of graham crackers from the States when I visited and I still make a tuna fish salad from Georgia that requires a very sweet relish that’s hard to find in the UK. Chicken coconut curry was my signature dish when I was trying to impress someone.

I love talking and I love ideas, but I hate chit-chat

Sometimes you say things that you know might be helpful and you do it in the guise of jokes

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Strewth! Antipodean women deliver summer of laughter to Britain

Comics from Australia and New Zealand will take centre stage, from Netflix to the Edinburgh fringeAustralian comedians have traditionally provided British audiences with a slice of unabashed, earthy humour, dating back to the early heyday of Dame Edna …

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All the fun of the fringe: the best comedy to see in Edinburgh, part two

The tricky subjects of identity politics, consent and mental health make for electric shows

• The best comedy to see in Edinburgh, part one

“Unless you can say in one media-friendly soundbite exactly what it is that you’re talking about and exactly what it is that you stand for, people lose interest.”

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