Nathan Caton review – a cosy cruise down the middle of the road

Soho theatre, London
The charmingly self-mocking standup is not short of decent gags but appears almost devoid of strong opinions. He may not offend but he certainly exasperates

What do you want your comedy to deliver? Laughs, in the first instance – and sometime Live at the Apollo man Nathan Caton can be relied upon to deliver them. He’s got a winning laid-back manner and a handful of solidly constructed set-pieces to which few could take exception. But I’d welcome a little more creative ambition. Caton’s topics, personality and opinions are all unexceptional. I’m not trying to offend anyone, he repeatedly assures us – to which the only response is: more’s the pity.

That’s not to say comedy has to be outspoken, just that Caton is too attached to the middle of the road. Never more so than when, midway through the show, he talks politics. Others may get less frustrated than I do by his “they’re all as bad as each other” perspective, or his lamely apolitical joke about cherry-picking the best of what each party has to give. But there’s no forgiving the weakness of gags such as the one about Boris Johnson being “the political equivalent of Mr Bean”. (On the UK’s most joked-about man, we’ve a right to expect better than that.) Elsewhere, a section on Caton’s recent house move leans on cosy class cliches about cardigans and The Archers.

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It’s business time as Flight of the Conchords announce UK tour

Musical comedy duo Bret McKenzie and Jemaine Clement reunite for a string of live dates after solo roles in Hollywood and on TV

OK, band meeting! The Flight of the Conchords have announced that they are preparing to tour the UK and Ireland. The musical comedy duo, comprising Bret McKenzie and Jemaine Clement, will be dusting down classics such as Hiphopopotamus v Rhymenoceros, Foux du Fafa and Business Time for a string of dates starting at the Hammersmith Apollo, London, in April 2018.

McKenzie and Clement met at Victoria University of Wellington in New Zealand and began to play genre-mashing spoof songs at fringe nights, gaining an international audience with their award-winning set at the Edinburgh festival in 2002. The following year they returned to Edinburgh and played the Gilded Balloon, where their show High on Folk was heralded by the Guardian as a “late-night gem”. After recording a BBC radio series and winning a Grammy for best comedy album, they made two seasons of an Emmy-nominated TV series for HBO, charting the band’s attempts to break America.

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Remembering Sean Hughes: ‘The sadness is he didn’t get to be old, just lonely’

Since his death, a complicated picture of the comedian has emerged. We were friends at the height of his fame and I saw his cruelty first hand. Others say that he later changed, before his drinking spiralled out of control

Carl Donnelly was driving on Monday morning when his phone rang. He could not pick up, but when he saw who had called – someone who was friends with him and Sean Hughes – he guessed what was coming. He called back and learned that Hughes, just 51 years old, had been picked up from his home by an ambulance on Sunday night. On the way to hospital he went into cardiac arrest. He died shortly afterwards. It transpired that he was also suffering from cirrhosis of the liver.

Related: Sean Hughes obituary

We were honest with each other and listened to one another’s insecurities continually. He was very open with me

In the last year, since his mum died, the drinking spiralled. It was horrible. We’d speak at 10am and he’d be pissed

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Ivo Graham: Educated Guess review – Eton schooldays and leftie laughs

Soho theatre, London
There’s plenty to admire in Graham’s new show, including a teenage appearance on The Weakest Link and a fresh-minted routine about the £1 coin

‘Push the envelope, but don’t lose sight of the envelope.” Ivo Graham’s show is full of nifty coinages sending up his own restraint. “This maverick,” he’ll call himself, before telling us the seat-of-the-pants tale of how he left renewing his Young Person’s Railcard till the last possible moment. It’s funny – but might be more so were he not a mite restrained on stage too. Transferring from the Edinburgh fringe, Educated Guess is a strong show, but the longer it goes on, the more I wanted Graham to unzip the burbling, punctilious persona, unshackle from the script – and lose sight of the envelope entirely.

Related: Ivo Graham: ‘Shaving my head was meant to give me an air of mystery and menace. It did not’

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Sean Hughes imagines his death: ‘I know how boring funerals can be’

In a poem that has been widely shared by fans after his death, the comic thinks of his ashes being scattered in a bar – and getting a mention in the Guardian

‘Charming, soulful, a proper comic’: Sean Hughes tributes

I want to be cremated

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‘Charming, soulful, a proper comic’: Sean Hughes tributes – and his funniest jokes

By his mid-20s he had scooped the Perrier award and landed his own TV show. But Sean Hughes never wanted to be a stadium standup. Mark Steel and Rhona Cameron pay tribute to a troubled talent – and we pick some of his best gags

I knew Sean from before he won the Perrier award in 1990. He was a Crystal Palace fan and we used to go to the football together. I remember going to a match with him in the early 90s, when he was on the telly quite a lot, and I took him down the pub with me. He was really warm with people and we ended up staying the evening. There was a genuine charm to him that was way beyond showbiz. He liked that world: being sat in the corner of a pub with a load of people who’d been at the football. Being funny with them but not in a show-off way.

Related: Sean Hughes obituary

Related: Sean Hughes’s greatest TV moments: from DIY nursing to Finbar the talking shark

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Farewell to Sean Hughes, sparky comedy gadfly in a league of his own

From the bumbling misadventures of Sean’s Show to the jaunty misanthropy of his later standup material, Hughes – who has died aged 51 – was a master of telling messy truths

There were two distinct chapters to Sean Hughes’ career: the comedy prodigy and ubiquitous TV star, then – after a period of silence – the rumpled refusenik, a celebrity opt-out ploughing an ever grouchier (but just as funny) furrow along standup’s margins. Not many comics run away from commercial success, but at the turn of the century Hughes quit standup for several years. “I found myself playing 4,000-seater venues packed with 14-year-old girls screaming at me,” he said. “That wasn’t why I did comedy.”

Related: Sean Hughes: comedian dies aged 51

Related: Gagged: comedians can’t get an open mic

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Sean Hughes: comedian dies aged 51

Hughes, who won Perrier comedy award in 1990 and was team captain on BBC’s Never Mind the Buzzcocks, died on Monday morning

Sean Hughes, the Irish standup comedian and quiz show panellist, has died, his former agent has said.

Related: ‘I matured very late in life’

Very sad news. Early this AM, the master of comedy Sean Hughes past away. @mr_seanhughes
A comic very much ahead of his time. pic.twitter.com/nv5DEn4CH1

In hospital

‘Sean was the youngest winner of the Edinburgh Comedy Award. He was a huge talent – a great comic & writer. He will be missed’ – Nica Burns pic.twitter.com/Ns86KGPwyr

Related: Sean Hughes: My family values

Very sad to hear about Sean Hughes. Started on the circuit with him back in the day. RIP.

Very sad to hear about Sean Hughes. A brilliant comic and a lovely bloke. RIP.

Sean Hughes. What a punch in the soul that is.

Horrible news. Another talent gone far too soon. RIP Sean Hughes x

Can’t believe the news… Sean Hughes will be sadly missed by myself and the rest of the comedy world. Thoughts are with you. Xxx

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Tim Key review – spilt lager, Poohsticks and an agonising quest for romance

Soho theatre, London
His first standup set in three years works a treat as Key paints a slyly humorous and heavily ironic portrait of midlife disappointment

It feels both apt and unlikely that Tim Key should make a show about dating. Apt, because flirtation is integral to his standup style. A Key gig is like a game of cat-and-mouse with the audience: he teases, he makes eyes, he shows a flash of what we want then snatches it away. Improbable, because dating is the stuff of a hundred standup shows, and Key has never been a man to tread the beaten path. Yet here he is, telling the tale of a dream first date and a desperate morning after, a lonely schlub’s traipse across London to claw victory from the jaws of romantic defeat.

That story furnishes the backbone to Megadate, the first solo set in three years from the Alan Partridge sidekick and recent West End theatre star. After a couple of big-hitting, high concept shows, in which Key shared the stage with a working bath, a double bed and a dancer, Megadate takes him back to basics, insofar as any Key show was basic in the first place. It’s the combination that won him the 2009 Edinburgh Comedy award: sly standup, haiku-style comic verses, and wistful black-and-white films on an upstage screen. And it works a treat.

Related: Tim Key, the superstar standup poet, on fishcakes, Footlights and the fringe

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Ellie White: ‘Can you be jealous of a book? I am’

The Windsors star and character comic on the things that make her laugh the most, from Cold Comfort Farm to Basil the Great Mouse Detective

My mum gave me a red bonnet for Christmas one year. It had three woollen phalluses bouncing off the back. She was really offended when I didn’t wear it on Boxing Day.

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