Tez Ilyas review – clever comedy about British National Pakistani life

Soho theatre, London
Light-hearted but trenchant, Ilyas’s show Made in Britain keeps the audience on their toes as he focuses on what unites, rather than divides us

After the EU referendum result, says Tez Ilyas, conversations about race and identity need to take place. Hence his current show, Made in Britain, which stakes a light-hearted but trenchant claim for the Britishness of his “BNP” – British National Pakistani – life so far. Ilyas is a cheeky chappie from Blackburn, more Opportunity Knocks than op-ed, and his show can easily be enjoyed as perky comedy. But he doesn’t soft-soap his indignation that some would consider him, and people like him, insufficiently British – and his show makes a persuasive counter-argument, thanks in part to its peaceable good humour in the face of such provocation.

A balance is adroitly struck from the off between ingratiating himself, and playing up his supposed difference. The opening routine, about the N-word, defuses tension by asserting his own, very British angst about political correctness, then follows up with some larky dancing to south Asian music. A later neat joke finds him struggling to remember the approved current terminology for white people; another – finding common cause with his likely audience, then instantly “othering” himself – tells us that: “Personally, I voted to remain in the European caliphate.”

Related: Class of 2015: who are the Edinburgh fringe’s funniest newcomers?

An audience volunteer tells our British-Pakistani host that in the US​​ he’d likely get described as Indian

Continue reading…

Continue Reading

If you think dating is hard enough, try being a female comedian | Nikki Britton

The choice to go into comedy coincided with the sharp descent of Nikki Britton’s love life. Here, she examines why

As I sit here alone on a Sunday night, hairy-legged and bloated, typing the words “hairy-legged and bloated”, it dawns on me that sharing, or oversharing, might be part of the reason why – when it comes to a successful dating career – I am far from an oracle.

When I was asked to write a comment piece about dating, I thought it was a joke. Which made sense as I am in the business of cracking them. “Dating as a female comedian,” they clarified – a piece tied to my new comedy show. “Share with our readers what it’s like.”

Related: Melbourne comedy festival: top picks from Arj Barker, Hannah Gadsby and Zoë Coombs Marr

Related: Searingly honest, bitingly funny: the female millennials changing comedy

On the plus side, if a guy turns out to be a jerk, revenge comedy is deeply satisfying

Related: I’ve been sent an unsolicited photo of a penis. How do I respond?

Continue reading…

Continue Reading

Desiree Burch review – stellar standup set about racism, sex and self-esteem

Soho theatre, London
The US standup takes a bull-in-a-china-shop approach to social anthropology – and riffs on the horrors of sleeping with someone born in the 90s

American comedian and theatre-maker Desiree Burch won the Funny Women award two years ago, then bagged a Poster award at the Edinburgh fringe by representing her own face as a collage of penises. This is the show in question, of which her “dick pic” material comprises, if you will, a small part. But Burch ranges widely across the landscape of racism, sex, family and her own autobiography. It feels like a lifetime of material crammed into one show, enough of which is insightful and heartfelt to make This Is Evolution a compelling 75 minutes.

It helps that Burch has ample charisma and a pleasingly bull-in-a-china-shop approach to social anthropology. She starts by reclaiming the word “fat”, joking about her size, and our discomfort at her doing so. That doesn’t feel confrontational: Burch is our friend, not our aggressor. She is eager to share, her easy amusement puncturing anxiety around routines about the “remedial racism” of the Brits, say, or women trying to outdo one another’s low self-esteem.

Continue reading…

Continue Reading

Desiree Burch review – stellar standup set about racism, sex and self-esteem

Soho theatre, London
The US standup takes a bull-in-a-china-shop approach to social anthropology – and riffs on the horrors of sleeping with someone born in the 90s

American comedian and theatre-maker Desiree Burch won the Funny Women award two years ago, then bagged a Poster award at the Edinburgh fringe by representing her own face as a collage of penises. This is the show in question, of which her “dick pic” material comprises, if you will, a small part. But Burch ranges widely across the landscape of racism, sex, family and her own autobiography. It feels like a lifetime of material crammed into one show, enough of which is insightful and heartfelt to make This Is Evolution a compelling 75 minutes.

It helps that Burch has ample charisma and a pleasingly bull-in-a-china-shop approach to social anthropology. She starts by reclaiming the word “fat”, joking about her size, and our discomfort at her doing so. That doesn’t feel confrontational: Burch is our friend, not our aggressor. She is eager to share, her easy amusement puncturing anxiety around routines about the “remedial racism” of the Brits, say, or women trying to outdo one another’s low self-esteem.

Continue reading…

Continue Reading

Lucy Porter review – comic is an honest tour guide to middle age

Soho theatre, London
The standup’s letter to her teenage self prompts some fine routines about maturity, parenthood and suburban living

There are only three types of standup show, jokes Lucy Porter, and one of them addresses midlife crisis. Et voila! – her new set Consequences is structured around a letter Porter was invited to write to her 16-year-old self, which triggers droll thoughts on how life changes when you’re fortysomething, married with kids and living in a Zone 5 suburban idyll. If its defence of mature quietude (“It’s good to become more pragmatic”) doesn’t exactly quicken the heartbeat, this remains an endearing hour, with Porter a more thoughtful tour guide to middle age than many who got there before her.

It takes time to warm up, as Porter acquaints us with her new life: invisible to lecherous van drivers, bearing no resemblance to her children (“I’ve been ethnically cleansed from my own bloodline”), married to an actor who keeps playing wife-killers. It’s diverting enough, even if Porter delivers much of it with her eyes fixed firmly on the middle distance.

Continue reading…

Continue Reading

Help! We’re trapped in an American sitcom – exclusive Comic Relief video

In Flatshare, created by the comedy sketch trio Massive Dad for Comic Relief, two mates walk into the world of a US sitcom, complete with canned laughter. The sketch is part of the Comic Relief Originals series to mark Red Nose Day on 24 March. Flatsha…

Continue Reading

Ricky Gervais’s transgender jokes show we’re all in a kind of transition

The comic has been accused of transphobia after riffing about Caitlyn Jenner in his standup show. So does giving him a favourable review endorse those gags?

Ricky Gervais sometimes gets people’s backs up and so, it transpires, do reviewerswho write about him. “B4 you write another @guardian review endorsing jokes about #trans people,” I was advised on Twitter after covering Gervais’s recent show, “please consider the impact.” Gervais dedicates a section of his show Humanity to jokes about (specifically) Caitlyn Jenner but also, by sly association, the idea of transgendering more widely. “If I say I’m a chimp, I am a chimp,” one riff begins, as Gervais makes merry with the culture of identity as self-assertion – and scores dependable laughs with rudimentary monkey business too.

Related: Ricky Gervais review – ruthless, self-revealing show is his best yet

Continue reading…

Continue Reading

Rob Brydon: I Am Standing Up review – comic’s comeback is edgier than it seems

De La Warr Pavilion, Bexhill-on-Sea
Picking on the audience is engaging more than cruel as Brydon riffs and ad-libs with seasoned charm in his new tour

Lined with retirement bungalows and holiday flats, the Sussex seaside resort of Bexhill is a place where people generally go to wind down. But Rob Brydon – visiting the long, low, white De La Warr Pavilion last Friday night – was expanding an already busy professional portfolio that includes several TV panel shows and the comedy-travelogue The Trip, cruise commercials and West End theatre roles.

His first standup tour since an acclaimed stint in 2009-10 calls, as well as Bexhill, at other locations associated with those in the last phase of life, including Bournemouth and Cheltenham. Brydon is fully alive to the possibilities there for near-death jokes.

Related: Kenneth Branagh on The Entertainer: ‘I’ve been bending Rob Brydon’s ear about standup’

Continue reading…

Continue Reading

Emma Sidi: ‘Burning Love is the funniest TV show I’ve ever seen’

The character comic and star of BBC3’s Pls Like on what makes her laugh the most

Tony Law is probably the one who makes me laugh the most without knowing quite how I got there, which is a big part of what standup is about for me.

Continue reading…

Continue Reading

From Bob Newhart to Chris Rock: 10 standup comedy milestones

As Netflix invest in Amy Schumer, Chris Rock and Jerry Seinfeld, what have been the most important comedy specials on stage?

2017 is set to be a big year in standup specials for Netflix – Amy Schumer’s The Leather Special arrives on Tuesday, Dave Chappelle’s new hour will premiere on 21 March, and future specials have been announced from Louis CK, Jerry Seinfeld and Chris Rock. Only a few years ago, it would have seemed crazy that arguably the five biggest standups on the planet would all release specials on the same streaming platform. But the standup special itself has a long history, evolving with technology and norms in remarkable ways. Here’s a look back at 10 milestone standup specials that brought the form to where it is today.

Related: Whitney Cummings: ‘The scariest place to perform standup is America’

Continue reading…

Continue Reading