Penn & Teller’s smug shtick and Sadowitz’s twisted tricks: magicians conjuring with comedy
The American duo’s slick act shimmers with Vegas-style glitz, while the Scottish standup’s sleight of hand is as flabbergasting as his vicious jokes
The classic magician image, we are told in Penn and Teller’s new show, was established by the French conjuror Robert-Houdin in the mid 19th century. But who, in the post-Paul Daniels era of postmodern magic, bothers with top hat and tails any more? These days, magic comes at us in all shapes and sizes.
At the Robert-Houdin end of the spectrum – smart suits, if not tuxedos – Penn and Teller brought a little bit of Vegas to the Hammersmith Apollo this month, in a characteristically high-end two hours of trickery. Yes, their patter (well, Penn’s patter; Teller is silent) defers to the modern requirement that magicians debunk the supernatural and mock the credulous, but their iconoclasm is strictly rationed. Theirs is a traditional magic show, and they relish their high status to the point of smugness, delighting in duping their audience.
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