Jonathon Young’s dance-theatre show Betroffenheit explores his grief after a family tragedy. The author Max Porter, comic Jayde Adams, performer Mojisola Adebayo and Young himself discuss their artistic responses to personal traumas
Jonathon Young sits on a hard bed, the kind that speaks of institutions. Green light tinges the walls around him on the stage. This is “the room”, a space triggered by an event referred to as “the accident” throughout his show Betroffenheit. “The night of the accident we’re all asleep,” his character recites. “The alarm wakes me and … I run. I’m the first on the scene and they’re in there. I try to help them get out but it’s too late.”
Eight years ago, Young was on a family holiday north of Vancouver when the cabin in which his daughter, 14, and two cousins were sleeping, caught fire. Young tried to save them, but the flames were 150 feet high. All three children died.
I’m there on the stage, appearing as though I am present and experiencing these events anew. But of course I’m not
There is something about a release that is a letting go, the body relaxing … But for me it was the opposite
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