‘I want to bury it under a roundabout!’ Kim Noble on his unusual approach to promoting his graphic novel

The unsettling performance artist, who has made some electrifying stage shows in his time, is taking a leap into literature with an eye-opening book, In Pursuit of a Wonderful Nothing. A hard sell, he thinksThere are commercial strategies to promote yo…

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John Kearns: Tilting at Windmills review – a handful of dust (and prawn cocktail crisps) in riff on TS Eliot

The Crescent, YorkThe comedian addresses a relationship breakup via The Waste Land, Aldi and a dimwit estate agentHow has it come to this? That’s what new show Tilting at Windmills finds John Kearns asking, and – after a fashion – it’s what TS Eliot as…

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Houdini’s reappearing act: David Haig’s new play lays bare the magician’s dispute with Conan Doyle

An interest in spiritualism drew the escapologist and the Sherlock Holmes author together but, as actor-playwright Haig’s drama Magic shows, also threw them into conflictIt’s the question most often posed to artists: where do you get your ideas from? D…

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‘This craving to go viral is tiresome’: the artists who’re sick of the pressure to promote on social media

From Stewart Lee in his wolf costume to Werner Herzog’s big steak sizzle-up, artists are now under huge duress to ‘chase the algorithm’ and reach audiences. Many of them are hitting burnout – and hitting backThere was a meme recently featuring Tony Sop…

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Episode #485: Mike Bridenstine, author, director and GM of the Lyric Hyperion

Mike Bridenstine appeared on this podcast three years ago in Episode 417. Since then, he has written and published his second book about comedy, “Kansas …

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Christmas Carol Goes Wrong review – a Dickensian disaster to savour

Apollo theatre, LondonMischief Theatre return to the am-dram battlefield, turning the Victorian tale into a blizzard of bruised egos and expertly timed farceIn the interval, I hear a newcomer to Mischief Theatre’s enduring “goes wrong” concept ask if t…

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Dracapella review – power ballads and beatboxing as ghoulish comedy gets down for the count

Park theatre, LondonGleefully leaning into all the cliches and groansome laughs, Dan Patterson and Jez Bond’s musical vampire romp is supremely sillyIf ever there was a show where the title came first, you’d guess it was this one by Dan (Whose Line Is …

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Ms Holmes and Ms Watson – Apt 2B review: mysterious case of the joke-cracking Sherlock

Arcola theatre, LondonThis riff on Arthur Conan Doyle’s detective stories has flashes of promise but its comedy and purpose never landShouldn’t that be Flat 2b? Then again, there are bigger problems in this gender-switched reworking of Arthur Conan Doy…

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The Scouse Christmas Carol review – knockabout comedy with a potty mouth

Royal Court theatre, LiverpoolPaul Duckworth’s sweary Scrooge has romantic history with Marley’s widow in a pun-heavy festive showWhether it’s Paul Hilton at London’s Old Vic this winter or Marti Pellow in Glasgow next year, you’re never far from a Scr…

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The Scouse Christmas Carol review – knockabout comedy with a potty mouth

Royal Court theatre, LiverpoolPaul Duckworth’s sweary Scrooge has romantic history with Marley’s widow in a pun-heavy festive showWhether it’s Paul Hilton at London’s Old Vic this winter or Marti Pellow in Glasgow next year, you’re never far from a Scr…

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