After the EU referendum result, Bridget Christie ripped up her Edinburgh show and created a new one in just a few weeks. This is an anatomy of a standup set that has changed with the headlines
Creating a new hour of standup can be a lengthy process. Most comics spend months writing material and honing punchlines. For many, performing a run in Edinburgh is the final goal. For more established names, there’s life after the fringe, with possible London runs and national tours. So what happens when, after months of labouring over an idea, world events derail your plans? On 23 June, Britain voted to leave the EU. Suddenly that seemed far more important to Bridget Christie than the topic she was writing about, so she ripped up her show and started from scratch.
I meet Christie in a cafe near her home in Stoke Newington, north London, to talk through the creation of that new show – how every idea was formed, every punchline introduced, all in just a matter of weeks. She sits down, opens her rucksack and pulls out reams of A4 paper – drafts, handwritten set lists and pen-marked notes like handed-back school tests. So let’s start at the beginning.
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